The sound of the tape slides soothingly into Nicholas’ ears. Not the music itself, although that is certainly pleasant, but the mechanical whir of the reels as the tape’s innards wind through the machine. He doubts if he could write so well without the quiet whirring. He doubts if he could write at all with the noise of the world at his window and under the soles of his feet.The pub beneath his bedsit is busy tonight. Voices slice through the floorboards as though the wooden planks do not exist. He might be sitting at the bar himself, submerged in the chorus of cries and thoughtless laughter: the White Ship on stormy, booze-wracked seas. Pouring a glass of wine he sits back in his chair and drinks.
Sometimes he can make out word-for-word the different conversations at the bar. Drunkenness seems only to increase people’s volume, as though for a few hours the fugue imparts a sixth-sense: a glimpse of more than just the pub, the street, the city, the entire world as it really is. So the patrons below shout and scream, laughing madly into their drinks, looking anywhere but the frightened whites of their friends’ eyes, the hollow blackness of their mouths; the window panes, dewy with the cold empty night.
via All These Voices.